Three Poems by Alexander Morgan
- Quarantine Literary
- Mar 23, 2020
- 5 min read
Real Hoax
275,130 cases confirmed
11,376 deaths.
0 according to the spin machines
And those above.
“A lie,” they cry, citing conspiracy
Theories that also sell them
Liquid silver, supplements,
And toothpaste. Why not
Rob the confused and frightened?
Leave shelves barren and prices
Sky high while bleeding the masses.
Take sick leave and pay away from workers.
Insist prayer instead of planning
As if the God who doesn’t answer
When the homeless remain forgotten and abused,
When minorities are sculpted into demons and strange fruit,
When love is policed and identity is portrayed as a debate or sin,
When prisons are plantations and not penitentiaries,
When war gets more money than health or education,
When camps exist and no one is concerned, or are told not to be,
Will cleanse us of a disease denied by those with the authority
To do something. When stocks and stars matter more
To those in authority than the 330,874,000 of us
Outside that small, chosen few, how do we, our just one,
Remain confident in the system?
When truth and reality are treated like just opinions
To debate and refrain from approaching,
How do we not catch the disease of
Disheartenment in the system?
Distrust of those in charge?
Defeat in spirit?
We don’t.
Reality, and 11,376 deaths, are no hoax.
The Providence of Innuendo
Have you ever seen the man who swallows swords,
And wallow in the words as you stared at gourds
Brought by hordes of procreators who laid seed in
Fertile ground that sprung up in heat drank up
Like a sailor on shore leave? Leave the thought of gourds
And swords and fasten your thoughts on the vines that
Intertwine and curl and unfurl and require trimming
And get wet with the spilling of life affirming liquid:
Right from the nozzle. The tip of which sprinkles
Out and tinkles out dirty water. But what is dirty?
The water itself or the vessel that shakes about in
Overflow when you go and try to use it? Like the river,
In which, it smells like fish, and you splish and splash
Getting soaking wet while your partner, wading for you to
Come (over), looks on in astonishment as you
Flail and wail your rod around. And they scream in
Excitement as you flop around and let the push and
Pull of the situation get you tumbling and grunting?
Playing with rods and fish and thinking about swords swallowed
While the vines are entwined and the gourds have you
Bored and you bend over and take it all in.
And you want to sit and spin but the tea-cups
Are out of order, but at least the wait-lines at
Others are shorter and shorter than your Dick,
Not your brother with the same name, but the little person
You decided would be your date: because love is
Blind and it’s not about size to you, but how
They use it: as tall people are intimidating
And people your size are not in your taste
But Dick is and that’s what matters. And
You wonder why people snicker at your situations
And wording when they are the ones worse and perverse enough to
Make these connections.
Tempus Fugit
I.
Get born, live, die.
What is done in between is a
Matter of circumstance and
Perspective. Things done,
Things lost, experiences
And memories and friends
Who melt into photographs,
Backgrounds, songs
We sing to summon the
Soul of our past happiness.
Joy wedged in seat cushions
And tossed away. Love buried
In letters never sent to our
Inevitable strangers. Promises
Made and broken by the
Droning and drowning sands
Of an immortal hourglass.
Our time is spent in cold confusion,
Cowardly comedies crafted in our clay,
Comely crashes climbing into a cacophonous
Climax of moans, sighs, and bedroom eyes
That connect us closer or complete the cycle.
A new generation of getting born,
Living, and dying.
II.
Sometimes, this is a child,
But, often, it resembles something else.
A dog we love as a pup, play with in a park
In their golden years, then bury after they
Succumb to all the fond memories, the years
Of love, and creeping fears of loss. A career
We love at the start, we commit to in hours out
And orders delivered to the work site, and mourn once the
Time has come and the desire is done.
A work we start with rabid inspiration, foster with
Rewrites, revisions, and submissions, and end in
Satisfaction or resignation. Our creations and
Leave-behinds either stand like poems shared
By the forever wind or monuments built in the
Facsimile of Ozymandias: the fallen and decrepit
King of kings.
III.
Our time flies, but we have memory.
A golden gift? Perhaps. We can
Still relive our moments
Behind us. Friends,
Family, love all lost can
Return to us in a second. Cards,
Photos, signatures, writs.
Poems and post-cards. The presents
We present with public pleasantry.
Scars, cars, favorite bars and stories
Shared. Many times exaggerated.
Or partially forgotten. Or fully
Forgotten. Or utterly erased by the
Sands of time. Memories are born,
Live, and die.
IV.
And I have forgotten when I was born
And I have forgotten how I lived and who I became
And I have forgotten my close proximity to death.
And I can’t remember your face.
And I can’t tell if this has been a good day or where we are.
And I am hoping those strangers will take me home.
And I can’t tell you the year or why
God has abandoned me.
And I can’t tell you how long I’ve been in here.
And I can’t tell you how I lived and who I became.
And I can’t promise to tell you I love you
Because I don’t know you.
Though your face reminds me of a faded photograph.
And I can’t tell you where I’ve seen it.
And I can’t tell if this is a good day or where we are.
And I can’t tell you my name: even if you say it
And I nod. And I can tell you my end is near.
And I can’t tell how close my proximity to death is.
V.
We get born, live, and die.
But we don’t end. We leave behind
Collateral. We leave estates, paper trails,
Names, and creations. Even when we forget
Ourselves, we give others stories, associations,
And love. On our graves, we leave flowers
To bloom. On our words, we leave
Meaning and maybe wisdom to bud.
On our pain, we leave lessons to learn
And inspiration in some to keep going.
We may forget with time the exacts
But rare is the one who leaves their world
Untouched or unaltered.
We die, wither, and become reborn
In the hearts of those who love us.
The Author
Alexander "Alex" Morgan comes from the small town of Valley-View, PA and is currently a Creative Writing major at Susquehanna University. Growing up, he used to be bullied a lot and was seen as the smart disabled kid on the playground. This sense of an outsider status enabled him not only to be able to sympathize with a lot of others, but also allowed for him to use this ability and his burgeoning creative mind to write both prose and poetry in and out of class, aiming to implement his skills eventually in comics. For now, he mainly writes poetry (with the occasional prose piece) but is still holding out hope for his ideal medium. He is also currently being published for other works through one of his school's publications, The Sanctuary, and has been, in his time outside of writing, a karate brown belt, a school announcements anchor, an NHS member, and an improv comedian. If he were able to do anything other than being socially isolated at the moment: he would probably either be among his friends from the main club he goes to or trying to expand his social circle in places with dancing and drinks.
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